Tuesday, 8 January 2013

13th Annual Vancouver Film Critics Circle Awards

The Vancouver Film Critics Circle (VFCC) announced its awards on January 7th, 2013 with giving away the Best Film award to ZERO DARK THIRTY, directed and co-produced by Kathryn Bigelow who also won the Best Director award. The surprise is that Joaquin Phoenix won the award for Best Actor for his brilliant performance in THE MASTER. The shocking thing is Amy Adams' win in the Best Supporting Actress category. No one deserves that award more than Anne Hathaway.


Here is the complete list of winners:



INTERNATIONAL AWARDS


BEST FILM: Zero Dark Thirty


BEST DIRECTOR: Kathryn Bigelow (Zero Dark Thirty)


BEST ACTOR: Joaquin Phoenix (The Master)


BEST ACTRESS: Jessica Chastain (Zero Dark Thirty)


BEST SUPPORTING ACTOR: Philip Seymour Hoffman (The Master)


BEST SUPPORTING ACTRESS: Amy Adams (The Master)


BEST SCREENPLAY: Mark Boal (Zero Dark Thirty)


BEST FOREIGN LANGUAGE FILM: Holy Motors


BEST DOCUMENTARY: Searching for Sugar Man



CANADIAN AWARDS


BEST FILM: Rebelle (a.k.a. War Witch)


BEST DIRECTOR: Panos Cosmatos (Beyond the Black Rainbow)


BEST ACTOR: Michael Rogers (Beyond the Black Rainbow)


BEST ACTRESS: Rachel Mwanza (Rebelle)


BEST SUPPORTING ACTOR: Serge Kanyinda (Rebelle)


BEST SUPPORTING ACTRESS: Sarah Gadon (Cosmopolis)


BEST CANADIAN DOCUMENTARY: The World Before Her


BEST BRITISH COLUMBIA FILM: Beyond the Black Rainbow


IAN CADDELL AWARD FOR ACHIEVEMENT: Alan Franey, Vancouver International Film Festival

Film Review: Zero Dark Thirty (2012)

My rating: ★★★★

BEST FILM OF 2012.



A topic of discussion everyone is familiar with, the already known outcome, the dramatization of true events and mixing them altogether in a single film, Zero Dark Thirty is a good film if I look at it from the perspective of filmmaking only. However, it doesn’t offer that much, it has no characterization whatsoever. The main character of the film is Maya (played by Jessica Chastain), a young CIA officer who has done nothing but spent her entire short career on Osama bin Laden. Now, I’m totally okay with that but her life, her character should have been supported by a back-story. There should have been several flashbacks as to why she joined CIA in the first place. I’m still okay if there aren’t any flashbacks or her story, but her character seems unbelievable and uninspiring at times. She doesn’t have any theory to prove why she is right, she just says she is right. And obviously, she is. It doesn’t have to do anything with Chastain’s performance, she has done a brilliant job (especially that motherf***er dialogue which was badass and funny at the same time). All the critic wins and potential nominations in major awards are totally deserving for her.The real problem is how her character has been written by Mark Boal and how the entire screenplay of the film has been dealt with.


The running time is 2 hours and 30 minutes and it really feels that long because the first half of the movie seems ridiculously boring and irritating. I expected the content of a different nature, the real and original content that has been kept away from the public for so many years, not the moulded one. The real truth about the September 11 attacks, all the suicide bombings and finally Osama bin Laden’s killing. It felt like I was watching a documentary at times. Kathryn Bigelow still has been able to do her job pretty well, the direction of the film is somewhere in between good and excellent. And it cannot be ignored that when it comes to films like this, her vision and method of direction are way more than outstanding. Moving on to the screenplay, it is good but definitely not the best. The dialogues should have been more intense rather than simply showing the scenes incorporating torture that is a good way to escape when you know your writing isn’t brilliant enough. Editing and the pacing of the film are kind of good but they don’t feel balanced at times, there is not one way of pacing of the storyline, sometimes it gets fast and sometimes it gets so slow. The supporting cast members such as Jason Clarke (Dan), Joel Edgerton (Patrick) and Mark Strong (George) do the right amount of job that has been assigned to their roles.


The best things about this film are its last 30 minutes of operation which led to Osama bin Laden’s killing; its background score (by Alexandre Desplat) which is pretty intense and proves to be more supportive than screenplay at times; clever cinematography (by Greig Fraser); Bigelow’s direction (a little bit supported by Mark Boal’s writing) and Jessica Chastain’s performance which is downright astonishing. I can call Zero Dark Thirty a great film but it is not better than Bigelow’s previous direction The Hurt Locker, which was more intense, which had plenty of jaw-dropping scenes and which had more characterization.


Every major critic you see would be commenting that ZD30 would win the Best Picture Oscar. This fact is making it so overrated that it would fail to build up to a lot of people’s expectations who haven’t watched it yet. Same thing happened to me. I watched it with the expectation and the mindset that it is the best film of 2012 but it isn’t, it may be one of the best but not the ultimate best film.


A lot of people are associating this movie with the fact that if they are Americans then they should obviously like this movie because it depicts what took America to finally kill bin Laden. If we are going to talk about it from that perspective then I can say that this movie is nothing but a false reality, how America hides the truth and only shows what it wants its public to see. There are a lot of theories about September 11 attacks and some of which are logical and actually make sense but still, people don’t want to believe that because they are afraid of losing the so-called trust in their government. OBL’s killing is also blurry, nobody knows what really happened that day. The US government just made an announcement that they have killed bin Laden. If they actually killed him then why did they not show his face on the television? Anyway, this is not the topic of discussion here. The film should be taken as piece of entertainment rather than taking it as a piece of reality and the same goes to US Senate, ZD30 has given rise to a huge political controversy as according to the Senators, they don’t torture anyone. They should also understand that the incorporation of dramatization and fiction is necessary to build up the tension and give rise to intense moments to keep the film interesting.


The key conclusion is that this film could get all the major awards in Academy Awards, Golden Globe Awards and BAFTA Awards because of its genre, Bigelow’s brilliant direction and Chastain’s performance and which, to some extent, is reasonable but I don’t think it should be winning the Best Picture awards but the chances are that it will. Who knows? I’d still be happier it wins the Best Picture awards, but happiest if it goes to any other deserving film.

8th Annual North Texas Film Critics Association Awards

The North Texas Film Critics Association (NTFCA) announced their awards on January 7th, 2012 with giving away the Best Picture award to LINCOLN, directed and co-produced by Steven Spielberg who also won the Best Director award, thus making his film the biggest winner with total 4 awards including Best Actor and Best Supporting Actor. Another interesting and surprising win is the Best Foreign Language Film award which went to French comedy-drama film THE INTOUCHABLES. FINALLY!


Here is the complete list of winners:


BEST PICTURE: Lincoln


BEST DIRECTOR: Steven Spielberg (Lincoln)


BEST ACTOR: Daniel Day Lewis (Lincoln)


BEST ACTRESS: Jennifer Lawrence (Silver Linings Playbook)


BEST SUPPORTING ACTOR: Tommy Lee Jones (Lincoln)


BEST SUPPORTING ACTRESS: Anne Hathaway (Les Misérables)


BEST CINEMATOGRAPHY: Claudio Miranda (Life of Pi)


BEST ANIMATED: Wreck-It Ralph


BEST DOCUMENTARY: Bully


BEST FOREIGN LANGUAGE FILM: The Intouchables

16th Annual Online Film Critics Society Awards

The Online Film Critics Society (OFCS) announced their awards on January 7th, 2012 with giving away the Best Picture award to Ben Affleck’s ARGO. The Best Director award went to Paul Thomas Anderson for THE MASTER.


Here is the complete list of winners:


Best Picture: Argo


Best Director: Paul Thomas Anderson (The Master)


Best Actor: Daniel Day-Lewis (Lincoln)


Best Actress: Jessica Chastain (Zero Dark Thirty)


Best Supporting Actor: Philip Seymour Hoffman (The Master)


Best Supporting Actress: Anne Hathaway (Les Misérables)


Best Original Screenplay: Wes Anderson and Roman Coppola (Moonrise Kingdom)


Best Adapted Screenplay: Chris Terrio (Argo)


Best Cinematography: Roger Deakins (Skyfall)


Best Editing: Alexander Berner (Cloud Atlas)


Best Animated Feature: ParaNorman


Best Documentary: This Is Not a Film


Best Film Not in the English Language: Holy Motors

Monday, 7 January 2013

6th Annual Houston Film Critics Society Awards

The Houston Film Critics Society (HFCS) announced their awards on January 5th, 2013 with giving away the Best Film award to ARGO, directed by Ben Affleck who also won the Best Director award. The rest of the wins are usual with the exception of Technical Achievement which went to The Hobbit: An Unexpected Journey, being its first critic award.


Here is the complete list of winners:


Best Picture: Argo


Best Director: Ben Affleck (Argo)


Best Screenplay: Tony Kushner (Lincoln)


Best Actor: Daniel Day-Lewis (Lincoln)


Best Actress: Jennifer Lawrence (Silver Linings Playbook)


Best Supporting Actor: Tommy Lee Jones (Lincoln)


Best Supporting Actress: Anne Hathaway (Les Misérables)


Best Cinematography: Roger Deakins (Skyfall)


Best Original Score: Reinhold Heil, Johnny Klimek and Tom Tykwer (Cloud Atlas)


Best Original Song: Skyfall by Adele (Skyfall)


Best Animated Film: Wreck-It Ralph


Best Documentary: The Imposter


Best Foreign Language Film: Holy Motors


Texas Independent Film Award: Bernie


Technical Achievement: The Hobbit: An Unexpected Journey


Worst Film: That’s My Boy


Humanitarian Award: Adam Yauch


Outstanding Contribution to Cinema: Jeff Millar


Lifetime Achievement Award: Robert Duvall

Saturday, 5 January 2013

11th Annual Central Ohio Film Critics Association Awards

The Central Ohio Film Critics Association (COFCA) announced their awards on January 3rd, 2013 with giving away the Best Film award to much surprising MOONRISE KINGDOM, directed by Wes Anderson who also won the Best Director award. This is the first major critic win by Moonrise Kingdom as it was also the biggest winner with total 5 awards including Best Original Screenplay, Best Ensemble and Best Score.


Important point: Safety Not Guaranteed should have won the Best Overlooked Film award, not Killer Joe. Foreign Language Film category winner and runner-up make no sense to me.


Here is the complete list of winners:


Best Film:




  1. Moonrise Kingdom

  2. Argo

  3. Django Unchained

  4. Zero Dark Thirty

  5. The Cabin in the Woods

  6. Silver Linings Playbook

  7. Lincoln

  8. Looper

  9. The Master

  10. Les Misérables


Best Director:




  • Winner: Wes Anderson (Moonrise Kingdom)

  • Runner-Up: Ben Affleck (Argo)


Best Actor:




  • Winner: Daniel Day-Lewis (Lincoln)

  • Runner-Up: John Hawkes (The Sessions)


Best Actress:




  • Winner: Jennifer Lawrence (Silver Linings Playbook)

  • Runner-Up: Naomi Watts (The Impossible)


Best Supporting Actor:




  • Winner: Christoph Waltz (Django Unchained)

  • Runner-Up: Leonardo DiCaprio (Django Unchained)


Best Supporting Actress:




  • Winner: Anne Hathaway (Les Misérables)

  • Runner-Up (tie): Helen Hunt (The Sessions)

  • Runner-Up (tie): Ann Dowd (Compliance)


Best Ensemble:




  • Winner: Moonrise Kingdom

  • Runner-Up: Lincoln


Actor of the Year (for an exemplary body of work): 




  • Winner: Matthew McConaughey (Bernie; Killer Joe; Magic Mike; The Paperboy)

  • Runner-Up: Anne Hathaway (The Dark Knight Rises; Les Misérables)


Breakthrough Film Artist:




  • Winner: Bart Layton (The Imposter (for directing))

  • Runner-Up: Quvenzhané Wallis (Beasts of the Southern Wild (for acting))


Best Cinematography:




  • Winner: Roger Deakins (Skyfall)

  • Runner-Up: Claudio Miranda (Life of Pi)


Best Adapted Screenplay:




  • Winner: Tony Kushner (Lincoln)

  • Runner-Up: Chris Terrio (Argo)


Best Original Screenplay:




  • Winner: Wes Anderson and Roman Coppola (Moonrise Kingdom)

  • Runner-Up: Drew Goddard and Joss Whedon (The Cabin in the Woods)


Best Score:




  • Winner: Alexandre Desplat (Moonrise Kingdom)

  • Runner-Up: Reinhold Heil, Johnny Klimek, and Tom Tykwer (Cloud Atlas)


Best Documentary:




  • Winner: How to Survive a Plague

  • Runner-Up: The Imposter


Best Foreign Language Film:




  • Winner: The Kid with a Bike (Le gamin au vélo)

  • Runner-Up: Headhunters (Hodejegerne)


Best Animated Film:




  • Winner: ParaNorman

  • Runner-Up: Wreck-It Ralph


Best Overlooked Film:




  • Winner: Killer Joe

  • Runner-Up: Safety Not Guaranteed

47th Annual National Society of Film Critics Awards

The National Society of Film Critics (NSFC) announced their awards on January 5th, 2013 with giving away the Best Picture award to French-language drama film AMOUR, directed by Michael Haneke who also won the Best Director award. This is really great now as there are a lot of strong contenders this season but NSFC has made a daring decision by selecting Amour as it has also given Emmanuelle Riva the Best Actress award.


Here is the complete list of winners:


BEST PICTURE: Amour


BEST DIRECTOR: Michael Haneke (Amour)


BEST ACTOR: Daniel Day-Lewis (Lincoln)


BEST ACTRESS: Emmanuelle Riva (Amour)


BEST SUPPORTING ACTOR: Matthew McConaughey (Magic Mike; Bernie)


BEST SUPPORTING ACTRESS: Amy Adams (The Master)


BEST NONFICTION: The Gatekeepers


BEST SCREENPLAY: Tony Kushner (Lincoln)


BEST CINEMATOGRAPHY: Mihai Malaimare, Jr. (The Master)


EXPERIMENTAL: This Is Not a Film (Jafar Panahi)


FILM HERITAGE:




  • To Laurence Kardish, Senior Film Curator at MoMA, for his extraordinary 44 years of service, including this year’s Weimar Cinema retrospective.

  • To Milestone Film and Video for their ongoing Shirley Clarke project.


DEDICATION: This year’s awards are dedicated to the late Andrew Sarris, one of the most original and influential American film critics as well as a founding member of the Society.