Sunday, 8 December 2013

2nd Annual Boston Online Film Critics Association Awards

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The Boston Online Film Critics Association (BOFCA) announced their awards today, on December 7th, 2013, with giving away the Best Picture award to Steve McQueen's 12 Years a Slave which was the biggest winner of the night, also winning Best Director, Best Actor, Best Supporting Actress, Best Editing and Best Original Score awards. This is such a remarkable achievement for 12 Years a Slave because it's finally starting to get some critics love which will probably continue until the Oscars.


Other great winner includes Jared Leto for Best Supporting Actress for his role in Dallas Buyers Club. Leto is my most favorite Oscar front-runner at the moment, because whatever he does, he does with extreme passion.


One thing that I completely disliked about the BOFCA awards this year is that instead of Spike Jonze's Her, the stupid Spring Breakers is in the list of top 10 films. Utterly ridiculous!


Last year, only 2 BOFCA winners eventually won the Oscar, i.e. Best Actor for Daniel Day-Lewis and Best Supporting Actress for Anne Hathaway. Let's see what happens this time.


Here is the complete list of winners:


BEST PICTURE: 12 YEARS A SLAVE


BEST DIRECTOR: Steve McQueen (12 YEARS A SLAVE)


BEST ACTOR: Chiwetel Ejiofor (12 YEARS A SLAVE)


BEST ACTRESS: Cate Blanchett (BLUE JASMINE)


BEST SUPPORTING ACTOR: Jared Leto (DALLAS BUYERS CLUB)


BEST SUPPORTING ACTRESS: Lupita Nyong'o (12 YEARS A SLAVE)


BEST SCREENPLAY: Julie Delpy, Ethan Hawke, and Richard Linklater (BEFORE MIDNIGHT)


BEST FOREIGN LANGUAGE FILM: BLUE IS THE WARMEST COLOR


BEST DOCUMENTARY: THE ACT OF KILLING


BEST ANIMATED FILM (tie): THE WIND RISES and FROZEN


BEST CINEMATOGRAPHY: Bruno Delbonnel (INSIDE LLEWYN DAVIS)


BEST EDITING: Joe Walker (12 YEARS A SLAVE)


BEST ORIGINAL SCORE: Hans Zimmer (12 YEARS A SLAVE)


TOP 10 FILMS OF THE YEAR:




  1. 12 YEARS A SLAVE

  2. INSIDE LLEWYN DAVIS

  3. THE WOLF OF WALL STREET

  4. GRAVITY

  5. BEFORE MIDNIGHT

  6. THE SPECTACULAR NOW

  7. BLUE IS THE WARMEST COLOR

  8. SPRING BREAKERS

  9. THE WORLD’S END

  10. FRUITVALE STATION

Wednesday, 4 December 2013

85th Annual National Board of Review Awards

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The National Board of Review (NBR) announced their awards on December 4th, 2013 with giving away the Best Film award to HER, directed and produced by Spike Jonze who also won the Best Director award. To be honest, I wasn't expecting it at all, especially after yesterday's NYFCC awards. Spike is a talented and innovative filmmaker and it's very nice of the board to appreciate his work.


All the wins are actually kind of amazing especially the Wolf of Wall Street's Adapted Screenplay award and the Secret Life of Walter Mitty (a genuine surprise - I so want to watch this film now) making it to the list of top 10 films. These are the first honors for both of these movies this award season and I'm sure the best is yet to come.


Last year, only 2 out of 11 (not counting those categories that are not recognized by the Academy of Motion Picture Arts and Sciences) NBR winners actually won the Oscar, i.e. Best Documentary for Searching for Sugar Man and Best Foreign Language Film for Amour. Let's see what happens this year.


Here is the complete list of winners:


Best Film: HER


Best Director: Spike Jonze (HER)


Best Actor: Bruce Dern (NEBRASKA)


Best Actress: Emma Thompson (SAVING MR. BANKS)


Best Supporting Actor: Will Forte (NEBRASKA)


Best Supporting Actress: Octavia Spencer (FRUITVALE STATION)


Best Original Screenplay: Joel and Ethan Coen (INSIDE LLEWYN DAVIS)


Best Adapted Screenplay: Terence Winter (THE WOLF OF WALL STREET)


Best Animated Feature: THE WIND RISES


Breakthrough Actor: Michael B. Jordan (FRUITVALE STATION)


Breakthrough Actress: Adele Exarchopoulos (BLUE IS THE WARMEST COLOR)


Best Directorial Debut: Ryan Coogler (FRUITVALE STATION)


Best Foreign Language Film: THE PAST


Best Documentary: STORIES WE TELL


William K. Everson Film History Award: George Stevens, Jr.


Best Ensemble: PRISONERS


Spotlight Award: Career Collaboration of Martin Scorsese and Leonardo DiCaprio


NBR Freedom of Expression Award: WADJDA


Creative Innovation in Filmmaking Award: GRAVITY



Top Films (in alphabetical order):



  • 12 Years a Slave

  • Fruitvale Station

  • Gravity

  • Inside Llewyn Davis

  • Lone Survivor

  • Nebraska

  • Prisoners

  • Saving Mr. Banks

  • The Secret Life of Walter Mitty

  • The Wolf of Wall Street


Top 5 Foreign Language Films (in alphabetical order):



  • Beyond the Hills

  • Gloria

  • The Grandmaster

  • A Hijacking

  • The Hunt


Top 5 Documentaries (in alphabetical order):



  • 20 Feet from Stardom

  • The Act of Killing

  • After Tiller

  • Casting By

  • The Square


Top 10 Independent Films (in alphabetical order):



  • Ain't Them Bodies Saints

  • Dallas Buyers Club

  • In a World…

  • Mother of George

  • Much Ado About Nothing

  • Mud

  • The Place Beyond the Pines

  • Short Term 12

  • Sightseers

  • The Spectacular Now

Tuesday, 3 December 2013

79th Annual New York Film Critics Circle Awards

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The New York Film Critics Circle (NYFCC) started the critics award season and announced the winners on December 3rd, 2013 with giving away the Best Film award to American Hustle, whereas Best Director went to Steve McQueen for 12 Years a Slave.


There were TWO big surprises:
1) Best Cinematography went to Bruno Delbonnel for Inside Llewyn Davis. I was 100% sure that Emmanuel Lubezki would win every cinematography award for Gravity. But I was wrong. Anyway, Lubezki might eventually win the Oscar.
2) Stories We Tell won the Best Documentary instead of the Act of Killing. This isn't a surprise because both of them are amazing in their unique way. I'd be happy if either of them wins the ultimate award.


Plus, I'm really happy that critics appreciated Jared Leto's work and awarded him with Best Supporting Actor for his role as transsexual in Dallas Buyers Club.


Last year, only 2 out of 11 NYFCC winners (not counting First Film and Special Award categories) actually won the Oscar. Gravity didn't win anything tonight. Same happened with Argo and Life of Pi in 2012. But they ended up becoming the big winners at the Oscars. Let's see what happens this year.


Here is the complete list of winners:


Best Film: American Hustle


Best Director: Steve McQueen (12 Years a Slave)


Best Actor: Robert Redford (All Is Lost)


Best Actress: Cate Blanchett (Blue Jasmine)


Best Supporting Actor: Jared Leto (Dallas Buyers Club)


Best Supporting Actress: Jennifer Lawrence (America Hustle)


Best Screenplay: David O. Russell, Eric Singer (American Hustle)


Best Cinematography: Bruno Delbonnel (Inside Llewyn Davis)


Best Foreign Language Film: Blue Is the Warmest Color (France)


Best Non-Fiction Film (Documentary): Stories We Tell


Best Animated Film: The Wind Rises


Best First Film: Fruitvale Station


Special Award: Frederick Wiseman

Monday, 2 December 2013

23rd Annual Gotham Independent Film Awards

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The Independent Filmmaker Project (IFP) announced the winners of the 23rd annual Gotham Independent Film Awards on December 2nd, 2013. The Gotham Awards is one of the leading awards for independent film and signals the kickoff to the film awards season.


12 Years a Slave received most nominations and on the other hand, there wasn't a single nomination for Mud, Nebraska, Frances Ha and The Place Beyond the Pines. Surprising.


What's more surprising is that Inside Llewyn Davis won the Best Feature award, even with 12 Years a Slave in nominations. Other wins seem reasonable, as I haven't seen most of the films yet. The best thing is the Act of Killing won the Best Documentary award. Truly deserving.


Here is the complete list of winners and nominees:

Best Feature:


  • 12 Years a Slave

  • Ain't Them Bodies Saints

  • Before Midnight

  • WINNER: Inside Llewyn Davis

  • Upstream Color


Best Documentary:

  • WINNER: The Act of Killing

  • The Crash Reel

  • First Cousin Once Removed

  • Let the Fire Burn

  • Our Nixon


Best Actor:

  • Chiwetel Ejiofor (12 Years a Slave)

  • Oscar Isaac (Inside Llewyn Davis)

  • WINNER: Matthew McConaughey (Dallas Buyers Club)

  • Robert Redford (All Is Lost)

  • Isaiah Washington (Blue Caprice)


Best Actress:

  • Cate Blanchett (Blue Jasmine)

  • Scarlett Johansson (Don Jon)

  • WINNER: Brie Larson (Short Term 12)

  • Amy Seimetz (Upstream Color)

  • Shailene Woodley (The Spectacular Now)


Bingham Ray Breakthrough Director:

  • WINNER: Ryan Coogler (Fruitvale Station)

  • Adam Leon (Gimme the Loot)

  • Alexandre Moors (Blue Caprice)

  • Stacie Passon (Concussion)

  • Amy Seimetz (Sun Don't Shine)


Breakthrough Actor:

  • Dane DeHaan (Kill Your Darlings)

  • Kathryn Hahn (Afternoon Delight)

  • WINNER: Michael B. Jordan (Fruitvale Station)

  • Lupita Nyong'o (12 Years a Slave)

  • Robin Weigert (Concussion)


Gotham Independent Film Audience Award:

  • Tadashi Nakamura (Jake Shimabukuro: Life on Four Strings)


Spotlight on Women Filmmakers ‘Live the Dream’ Grant:


  • Gita Pullapilly, director, (Beneath the Harvest Sky)


Founded in 1979, IFP is the largest and oldest not-for-profit organization dedicated to independent film.  More info at www.ifp.org

Saturday, 19 October 2013

Film Review: Waar (2013)

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Directed by: Bilal Lashari
Written and produced by: Hassan Waqas Rana
Music by: Amir Munawar
Cast members: Shaan Shahid, Shamoon Abbasi, Ayesha Khan, Meesha Shafi, Hamza Ali Abbasi, Ali Azmat, Kamran Lashari


:actual conversation:
#1: "Waar dekhnay ja raha hun."
#2: "Suna hai achi film hai."
#3: "Meri pehn da dupatta wapis kar oye jaisi nahin, achi tou ho gi hi."


After making us wait for almost 2 years, watch trailers over and over again, Google the release date and details of the film, Waar is finally here, a film that surely lived up to the hype it created. (the most anticipated and most expensive film in the history of Pakistan) One must wonder, why it took so much time. The answer is: For all good things, we have to wait.


Waar is an action-packed intense thriller that focuses on the current War on Terror situation in Pakistan and incorporates the actual events in such a way that it sometimes blows your mind away. Now, the plot and story are typical and the script is weak but the way in which they're executed is amazing. I was hoping for a twist in the plot or a mystery that would be revealed in the climax but there's no such thing. The film is stylish, but there is less substance and more style, which is a drawback, obviously. A good film is a balance between style and substance.
Directed by our very talented Bilal Lashari who's known for directing music videos of mainstream artists, I must say his work is impressive. He knows what he's doing and he doesn't try to kill it by overdoing it. There are a lot of things that Bollywood hasn't even thought of, yet, and Lashari is doing like it's a child's play for him. I know it takes a lot of effort and time to work on a project that's become a topic of discussion for people and he has proved himself. He indirectly asks us, "check ki hai bhai ki direction phir, hai na aala?" 


Major Mujtaba (played by Shaan Shahid) is a former army officer who has a dark and extremely sad past and that's exactly the reason why he takes an early retirement. He's one of the best officers and is needed when the time arrives and only he can prevent bad things from happening. His character story is good and is made even better with intense performance by Shaan.


maintenanceTalking about the rest of the cast members, performances are good and average but there's not much of character progression, all the focus is on Mujtaba and the remaining cast looks like the extras in a dance number. The antagonist, Ramal (played by Shamoon Abbasi) could have been a much, much better character but the writer Hassan Waqas Rana didn't put much effort into him. It's also affected by Abbasi's performance which isn't compelling enough, it does work at times but there should've been more. Ali Azmat and Meesha Shafi are ridiculous especially Shafi, she's trying to do I don't know what and it looks terrible. Azmat tries too hard to be himself, acting like he's also a rockstar in the film. Maybe he was, before he became a politician. After Shaan, I like Hamza Ali Abbasi's performance who plays the role of Ehtesham, a police officer.


Performances are also affected by excessive use of English language (dialogues in Urdu are much, much better), it feels like the actors are focusing more on the accent and much less on the expressions and emotions and it's not a rocket science when you want to identify certain emotions and power in words. Moreover, my advice is that if you are writing an English script, then at least make it a little strong, include good vocabulary. (the English used in film is an equivalent of an application in the English exam in Matriculation + there are a lot of cheesy dialogues)


Technical aspects of the film are at par with any Bollywood or even Hollywood film. Background score and soundtrack are beautiful, totally support every frame of the video and why wouldn't they? It took Amir Munawar 2 years to compose and complete the music and there's hard work written all over it. (if you're familiar with background score used in Punjabi films, you'd give Waar's music a 100/10) Camera work and cinematography are too good, one of the best things about the film. There are a few scenes that has so much power and intensity in them, only because of brilliant cinematography. Say goodbye to nonsensical camera angles previously used by Lollywood.


Most of the people are calling Waar a propaganda film and criticizing and giving it a bad review on that basis. They must be forgetting the countless films that are made against Pakistan and other countries, a lot of which are positively reviewed by critics because a film is a piece of fiction, of course, you can use actual events in your film to enhance its power but at the end of the day, it still is a piece of fiction. All the fuss just because the film has Indian agents in it is pointless, and stupid. Where is that "propaganda" when Indian films use Pakistani agents in their films? Also, please refrain from judging any movie on the basis of a country where it's made because it can cloud your judgement because of the love for your country. Judge it on the basis of its material; the performances, plot, script, technical aspects and its overall presentation.


Finally, Waar is a wonderfully presented and a gripping thriller that has almost everything you need in a movie these days and I'm completely sure that it's better than a lot of Indian films produced this year. If you're still unsure about whether you want to watch it or not, read the summary below:




+ Best film production to come out of Pakistan
+ Genuine effort by Bilal Lashari as a debut director
+ Brilliant camera work and cinematography
+ Beautiful background score and soundtrack
+ Intense performance by Shaan Shahid
+ Cool guy with a sniper rifle



- More style, less substance
- Weak script and cheesy dialogues
- Poor character progression
- Excessive use of English Language






Score: 7.8




Tuesday, 15 October 2013

Baaaaaaa-ri Eid

HELLO, EVERYONE!


Main janta hun ke kafi arsay baad blog pe apni shakal dikhayi hai, lekin yaqeen maniye main ne zara miss nahin kiya. Haha, seriously, I was kind of busy all this time. Man has a job to do. Man has to sleep, eat and sleep again. Anyway, Eid ke is pur mussarat moqay par socha ke apni kuch chawalon se aap logon ko mehzooz karun.
(tell me, how many of you had to read 'pur mussarat' and 'mehzooz' twice?)


So, the topic I'm going to write about is Eid. Hum sab log Eid manatay hein lekin sab ka Eid mananay ka tareeqa alag hai. Aur aaj main isi baray mein likhnay ki koshish karun ga. As usual, kafi logon ko meri baatein shayad offensive lagein aur woh comments kar ke bharras nikalein. Please do that. Main comments approve hi nahin karun ga. Look, what is this!


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Sab se pehlay baat shuru kartay hein Chaand Raat se. Aur baat kartay hein bazaron mein rush ki, jahan khareedar kam aur woh log ziada hotay hein jo ghar se soch ke nahin atay ke unhon ne jana kidhar hai. In mein ziada tadaad hai boyses ki. Poondi karnay walay boyses. In larkon ke paas Chaand Raat pe sirf dou kaam hotay hein. Apni bike ko race dena (petrol chahay andar sirf 5 rupay ka hi kyun na ho) aur larkiyon ko aisay dekhna jaisay zindagi mein kabhi nahin dekha aur aaj akhri baar dekh rahay hein. In ke liye wohi Eid hoti hai jab koi larki ghalati se murr ke inhein dekh ley. Yeh larkay puri raat bazaron mein dhakkay khatay hein aur milta inhein kuch bhi nahin. Mazay ki baat yeh hai ke dil ko tassalli denay ke liye batatay hein aik dusray ko ke, "itni bachiyon ne dekha bhai ko," with a huge grin on their faces. Asal mein chahay koi khusra bhi lift na karwata ho. Who knows.


Ab zahir hai ke jo puri raat bazaron mein phirta rahay, woh subah jaldi tou uthta nahin Eid ki namaz ke liye aur aksar log chorr detay hein. Aisay logon ki tunni (belly button) pe talwar ki nauk se gudgudi karni chahiye. Khair, main yahan koi namaz ka dars nahin dey raha beth ke waisay bhi. Aap ne parhni hein tou parhein lekin agar Masjid mein jagah nahin mil rahi tou agay aisay taap ke matt jayein jaisay hurdle race chal rahi hai koi.





Ab bari aati hai EIDI ki. Eid-ul-Fitr pe tou usually sab ko kafi ziada Eidi milti hai. (jin logon ko nahin milti woh tissue paper apnay sath rakhein ya konay mein ja kar royein) Asal miracle tou woh hota hai jab kisi ko Eid-ul-Azha pe Eidi milti hai. (baat pe ghor karein, mujhay yeh matt batayein if it's Eid-ul-Azha or Eid-al-Adha) Jin ko Eid-ul-Azha par bhi Eidi milti hai, yeh woh log hein:


- Jin ki gali mein cricket kheltay huay kabhi kisi sarrial aunty ke ghar ball nahin gayi,
- Jin ka biskut toot ke chai mein nahin gira,
- Jo competition mein participate nahin kartay aur phir bhi jeet jatay hein.


Yeh woh log hein jin ko mera chappairrein karanay ka dil karta hai... Eid-ul-Azha pe bhi Eidi mil jaye apko aur aap tab bhi kahein ke, "kia yaar kia maatthi qismat hai apni" tou qasam se aap ko 21 topon ki salami denay chahiye, topon ka munh apki taraf kar ke. (please no dirty jokes) Kuch aisay relatives bhi hotay hein jo Eidi denay ke mamlay mein tang kartay hein. They ask you how much Eidi do you want and then deliberately give you a coin or 10 rupee note and that can piss anyone off. That's just like I'm-going-to-nuclear-bomb-you-to-death pissing you off. Here is a piece of advice: Never be that uncle who does this crap to kids. Apni taraf se barra mazaq kartay hein but it really doesn't make anyone laugh especially after doing it on EVERY FREAKING Eid.


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Let's talk about Eid-ul-Azha and frequent visits to the doctor during and/or after Eid. Since you all know, Eid pe qurbani ka gosht hi pakta hai ziada. (confession time: I don't like the taste of qurbani ka gosht, at all) Ab log kia kartay hein, qurbani ka gosht itna ziada kha letay hein ke ya tou tabiyat kharab hoti hai ya phir tabiyat hi kharab hoti hai. An average Pakistani usually requires more than half of the entire function's food to decide and finally say it out loud whether the spices in the food were of right amount or not. Aur yeh har occasion pe hota hai. Pichhattar naan aur 2 kilo quorma kha ke kehtay hein ke, "khana bas theek hi tha..." Aisay log wohi hotay hein jin se koi ghalati se cheez toot jaye tou aas paas ghoom rahay kisi bachay pe ilzaam daal detay hein. Khair, baat kar rahay thay hum tabiyat kharab honay ki. Ab jo dangaron ki tarah anney waa khaye ga tou us ki tabiyat hi kharab hogi. Usain Bolt se taiz bhagnay se tou raha woh. Isi liye, is Eid pe is parampara ko torrein aur zara hath hola rakhein. Beshak apke apnay paison ka bakra aya hai, lekin dawai par bhi apke paisay hi kharch honay hein. Unless you're one of those government officers jo nakli parchi bana ke dawai ke paisay nikalta hai hakumat ke khatay mein se. LULZ.


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Eid-ul-Azha pe sab se annoying kaam hota hai baar baar ja kar darwaza kholna, kyun ke Eid ke din sirf 2 log atay hein apke ghar; gosht denay walay aur gosht lenay walay. This is how it happens:


:ding dong:
"Kon?"
"Yeh gosht ley lein."
"Acha."
:gosht ley liya, you're about to enter your lounge and someone is at the door again:
"Kon?"
"Goshat haaai?"
"Acha, thehro!"
:gosht dey diya, ab dobara lounge mein ghusay hi thay ke phir se bell baji:
"KON!?"
"Aunnu goshat ditta aey, mainu vi dawo!"
:and then you have to repeat the above process for a million years:
:and when the doorbell rings again and you're so annoyed by it you reply with "AB KON HAI BC!?" and it turns out your favorite* relatives* are at the door:
*I know favorite and relatives are opposite in meaning but come on, kuch relatives achay lag hi jatay hein aap ko.


Har kisi ki gali mein aik aisa shakhs lazmi rehta hota hai jo apna qurbani ka janwar ley ke shokhiyan marta rehta hai puray muhallay mein. (kabhi kabhi aik se ziada bhi ho jatay hein) I call them the Qurbani Douchebags. They don't know anything about the janwar lekin puri gali mein aisay show off karna hai jaisay janwar nashtay mein corn flakes khata hai ya bike pe beth ke one-wheeling karta ho. Aisay logon ko zara careful rehna chahiye, kahin qurbani ka janwar ghussay mein aa ke tudd na maar dein. Aur tudd kha ke agar ghalati se gir gaye aur bakray ne zameen pe already potty ki hui ho tou joke would be on them. Is liye, aisi harkatein karnay se pehlay zara sochiye. And by the way...



Bakray ki potty > Ufone > Pakistani Ads > Waqar Zaka wearing lehnga > Besharam

Qusoor un ka bhi nahin hai. Janwar mehngay hi barray ho gaye hein. Woh din door nahin jab un ko dekhnay ke bhi paisay laga karein gay. I asked this vendor in Bakra Mandi ke bakra kitnay ka hai, to which he replied "Payyan panjaa hazaar da!" (Rs. 50,000) But Seriously, us bakray ka size dekh ke lagta nahin tha ke woh pachaas hazaar ka hai. Bakra kam aur billi ziada lag raha tha woh. Bohat mehngayi hoti ja rahi hai. Jitnay ka bakra hai, utnay ki 2 Honda CD-70 aa jayein, banda doodh dahi ki dukaan laga ley, treat bhi dey dey doston ko tou phir bhi paisay bach jayein. Janwaron se yaad aya apnay mulk mein aik din ke liye Animal Rights Activist bhi bantay hein log. Yeh wohi log hein jo Eid se aik hafta pehlay BBQ scene down kartay hein. Munh in ka roti pakarnay walay chimtay jaisay bhi nahin hota aur ban jatay hein Animal Rights Activist. In ko khud nahin pata hota ke yeh activist banay kyun hein. Aisay kafi "activists" jinhein kakh nahin pata hota kisi cheez aur mujhay pata hai aap ke dimagh mein kis ka naam chal raha hai. LULZ again.


I think I have covered pretty much everything about Eid. If I didn't, there's always a next time and I'll try to do it better if all of the above sucks.


Feel free to like, rate, comment and share. Your feedback is valuable to me.


Thank you!


Apki bachiyan bhaga chuka,


Ahsan Haseeb

Sunday, 23 June 2013

Film Review: Man of Steel (2013)

My rating: ★★★★½


VERACIOUS REBIRTH OF THE MOST POWERFUL SUPERHERO OF ALL TIME.


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What if a child dreamed of becoming something other than what society had intended? What if a child aspired to something greater?


Man of Steel is bigger than I first thought, a darker and grittier attempt at bringing the best and most powerful superhero of all time back to life proves to be successful (not at the box-office just like I expected but still, it's doing pretty good). Hats off to Warner Bros., Christopher Nolan and Zack Snyder for making this project possible. When I first heard about the reboot and that "Christopher Nolan won't be directing the film, instead Zack Snyder will," I felt a little deceived that what have they done, why they chose Snyder, why couldn't just Nolan direct the film, my expectations went down the drain, to be honest. But I'm now more than satisfied after experiencing this action-packed, gripping and a powerful superhero film that matches and somewhat seems bigger when compared to other superhero films.


Making a Superman movie has always been hard for everyone. No one has ever been able to capture the real essence and transform it into the movie efficiently but this time, ture justice has been done to Superman. This is the Superman origin movie I've been waiting all my life to watch. Yeah, yeah, I know people are going to be like it can't compete with the original 1978 production and I kinda agree because things were different that time and making that movie in 1978 is a feat in itself, but honestly, I like this one more. It has everything I wanted, it has that darker soul I love to see in superhero films, it captures the human part of Kal-El and moreover it tells the origin story of Kal-El properly (no one has ever done it before) and I'd like to congratulate the screenwriter David S. Goyer, Nolan and Snyder for that.


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The plot is obviously typical but what I love about it is how the screenplay has been written, Goyer focused more on the human part of Superman and his difficulties to survive on Earth considering the fact that he always had to conceal his true identity because people would have rejected him but when they need a saviour, that man, the Superman comes to help. There are some really good dialogues especially for Jor-El, Jonathan Kent, General Zod, Martha Kent, Lois Lane and of course, Kal-El and what makes them more is the amazing cast members, i.e. Russell Crowe, Kevin Costner, Michael Shannon, Diane Lane, Amy Adams and Henry Cavill respectively. If I had to judge this movie on the basis of only this factor, I'd give it a perfect 10, that's how phenomenal everyone is.


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The planet Krypton is facing imminent destruction due to its unstable core, resulting from years of exploiting Krypton's natural resources. The ruling council is deposed by the rebel military leader, General Zod, and his followers. Scientist Jor-El and his wife Lara launch their newborn son Kal-El on a spacecraft to Earth. The infant Kal-El is raised as the adoptive son of Jonathan and Martha Kent, who name him Clark. His Kryptonian physiology affords him superhuman abilities on Earth, which initially cause him confusion, but he gradually learns to harness his powers to help others and that's where General Zod comes in after detecting the signal that Kal-El is residing on Earth so he invades and starts making things difficult for the planet Earth as well.


The action sequences with the support of cinematography by Amir Mokri and beautiful CGIs are just too damn brilliant, near-to-perfect and perfect at times. People seem to dislike the cinematography but I actually love it, I admire it for being too similar yet too different for a superhero movie. The shaky cam thing works perfectly fine for me, that's how I was actually imagining it before watching the movie and it made me really happy to see that they didn't shoot with the same predictable angles. I'd like to praise the action sequences again because I was on the edge of my seat when the choreography was happening, Snyder really knows how to shoot an action sequence and make it more astonishing with his camera work. Additionally, everyone would notice that there is a lot of destruction, almost everything gets destroyed in order to save the world and its people. What I find really annoying is that people know there is an alien invasion happening and the buildings would fall on them and they would die, but they're just standing there, seeing how the world is ending and they won't move, not even an inch. It's like they're being attention whores and they want Superman to save them. I mean, come on, let the man fight the ultimate enemy, move the hell away and run for your lives.


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Of course, there are a few disappointing things, i.e., there should have been more screen time for Lois and Clark, I was hoping to see more romance between them and maybe, I'll get to see more in the sequel, since it was a origin movie and they had to focus more on where Clark came from and whether the world would accept him and it does when General Zod and his army attack the Earth, the U.S. Military realizes that Clark is an ally, he is a God to them and only he can save them. Another little disappointment is Zack Snyder's direction; it feels like a mess at one point and you can't figure out what the hell is going on and what comes after what. But it gets better as soon as you put your mind into it. I must say that this still is Snyder's finest so far, he has proved himself that he can work hard and handle something so huge like Superman. I really wish he'd overcome his flaws in the sequels and learn from his mistakes. Sometimes I also wish that Christopher Nolan had directed this movie, it would have been totally different and possibly the best Superman film of all time just like The Dark Knight Trilogy. But I'm satisfied that he was involved in the production of the movie and I hope he will carry out his role even more and guide Snyder in the future if they decide to work together. Another thing is Henry Cavill's Superman, I love darker elements of superhero movies but a superhero should be a little funny, he should have a sense of humor, like Christian Bale's Batman, we can see it throughout the Dark Knight Trilogy and that's what should have been present in Man of Steel as well. I think they will work on it in the sequel (my expectations from its sequel keep getting higher).


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Finally, I'd like to say that if you think Man of Steel sucks before watching and even after watching it, then you should check out all the superheroes' origin movies, i.e., Iron Man 1, Thor, Captain America: The First Avenger, Hulk, Hancock, The Punisher, Hellboy, Jonah Hex, Dredd, Watchmen, Fantastic Four, Ghost Rider, Blade, X-Men Origins: Wolverine, The Amazing Spider-Man, Green Lantern, and Batman Begins. In my opinion, Batman Begins is the best film in the sense of origin storytelling and Man of Steel comes after that and I know a lot of people are going to agree and even more people are going to disagree especially Marvel fanboys but I'm not here to judge this film as DC Universe or Marvel fanboy, I'm only judging this movie on the basis of what I saw and what I liked and what is solely my opinion. You might think the same or you might think completely opposite, that's not my problem. I love Man of Steel just like I love Batman Begins and nothing in the world can change that.



CREDITS:


Directed by: Zack Snyder
Produced by: Christopher Nolan, Charles Roven, Emma Thomas, Deborah Snyder
Screenplay and Story by: David S. Goyer, Christopher Nolan
Based on: Superman by Jerry Siegel and Joe Shuster
Starring: Henry Cavill, Amy Adams, Michael Shannon, Kevin Costner, Diane Lane, Laurence Fishburne, Russell Crowe, Antje Traue, Ayelet Zurer, Christopher Meloni, Harry Lennix, Richard Schiff, Mackenzie Gray
Music by: Hans Zimmer
Cinematography by: Amir Mokri
Editing by: David Brenner
Studio: Legendary Pictures, Syncopy, DC Entertainment
Distributed by: Warner Bros. Pictures